Sunday after the Coachella Valley Music and Arts Festival has a special atmosphere.
Everyone feels the effects of the first two days on the desert. “Is that your walk through the hangover?” An employee of the festival joked when fans slowly forwarded from parking to the doors just before 3 pm on Sunday.
Hmm. Maybe a little of the old punk rock is what you need to put a small PEP in your passage.
The English punk rock duo composed of Bobby and Bobbie Vylan opened its set with only one battery and a voice, but they didn’t need anything else to completely immerse the crowd in Sonora. Bob Vylan’s punk hymns are often aimed at their talent without complexes or fight against racism, fascism and income inequality. The group made “We Live Here”, “Hunger Games” and “I Heart You Want You County Back”, which caused the crowd to sing some of the letters in each choir.
One or two hours later, another punk duo of the United Kingdom, soft play, tok on Sonora’s store with an almost full crowd. While most of your music can be characterized as heavy, there is an element of rhythm that you cannot avoid falling into your head. They are also very fun to see, from jokes about writing music to the perspective of the character “John Wick” by Keanu Reeves and the boys who make space for a mosh pit. The appearance of energy is also relentless, with Isaac Holman (main voices, drums) and Laurie Vincent (guitar and bass voices. At the end of the set, they took their partner English duo Bob Vylan, who hurt.
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Outside, in the burning sun of the afternoon, Meute, a band of techno marches in Germany, had the crowd on the outdoor stage that was made to its brass and per brass arrangements.
With the baritone and low saxophones, and a tuba to start, the low lines made their loot r be, while the trumpet, the high sax and a glockenspiel clearly cut through the high notes.
That the 11 boys of the band seemed to be having such a good time despite the heat that surely saw them inside their red wool band jackets only further impressed.
To escape the heat and catch one of the most buzzing Shoegaze sets on the weekend, fans packed in the air conditioning probe store for WISP.
Known for knitting in the unexpected Pop Now-Metal and Dream, his set undulated with distortion guitars and airy voices that felt disturbing. “If you still don’t know me, I’m fine,” he told the full tent, where heart -shaped fans swing in the crowd as a soft sea of devotion.
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Among the blurred choirs, he asked fans to jump, building a real -time connection. “I have worked on my album last year,” he shared before presenting a new song still without a name. She closed with another unpublished single that will come out next week.
For many, it was an opportunity to catch an underground star in the shine phase. The highlight included “Your Face”, “enough for you” and “Sword.”
Then, in the Gobi store, the beaches of the Canadian independent band rushed to an overflow audience. The women’s band had a bright sound on stage and the lyrics with a fun point of view. “One thing about Canadian girls, we love Bear,” said a band member through the presentation of the song “Shower Bear”. His set ended the song of the main singer Jordan Miller “Blame Brett”, a melody written specifically about her ex, she gave him a warning in advance, that made the crowd sing: “Do not blame me, blame Brett / blame my my my My My My My My My My My ex”, “,”, “,”, “,”, “
Phew. Feel for you, friend
Shaboozey, the Hip-Hop Country artist, opened his set with an impressive scenic production called “Coachella’s Country Hour” on the main stage of Coachella. The set was designed to emulate a desert scene with cactus and brown plains, yellow and oranges projected on the screen. He made “Blink Twice”, a new song, Live for the first time and a guest duo of “My Fault” with Noah Cyrus. He closed his set with his success “A Bar Song (TIPSY)”, which he held at the festival last year to a much narrower crowd.
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As the desert sun immersed itself in the casualty, Beabadoobee transformed the Coachella scenario into a floral escape, complete with cherry flowers and lush vegetation that softened the edges of its dirty sound and inspired by the 90s. “Coachella, you have the beauties that I have seen,” he said sweetly before throwing himself to “Pretty Eyes”, his vocals.
Born in the Philippines and raised in London, Beabadoobee (also known as Bea Laus) has become one of the defining voices of the generation of the Z Rock generation, channeling the melancholy of Lo-Fi bands of bands such as blueberries and Sunday is a modern advantage. The crowd was balanced in “10:36”, shouted to “speak” and the melted duration “the perfect pair.”
“This song is very special to me, and I can touch it with you,” he said before ease in “Beaches”, one of the emotional points of the set. Later, he dedicated “She plays bass” to “The Girls”, giving a sincere cry to her bassist Lydia: “Leave it for Lydia in Bass! The performance of Beabadoobee was a love letter for rock alternative.
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